{"id":115509,"date":"2026-01-07T16:39:34","date_gmt":"2026-01-07T19:39:34","guid":{"rendered":"https:\/\/fpabramo.org.br\/2026\/01\/07\/mostra-de-cinema-de-tiradentes-mg-tera-13-longas-em-pre-estreia-mundial\/"},"modified":"2026-03-14T16:09:02","modified_gmt":"2026-03-14T19:09:02","slug":"mostra-de-cinema-de-tiradentes-mg-tera-13-longas-em-pre-estreia-mundial","status":"publish","type":"post","link":"https:\/\/fpabramo.org.br\/en\/mostra-de-cinema-de-tiradentes-mg-tera-13-longas-em-pre-estreia-mundial\/","title":{"rendered":"Tiradentes Film Festival will feature 13 feature films in preview screenings."},"content":{"rendered":"\n<p><em>The event is considered the opening of the annual calendar of film festivals in the country.<\/em><\/p>\n\n\n\n\n\n<p>The Tiradentes Film Festival, considered the first major showcase of Brazilian cinema on the annual festival calendar, announced this week the program for the competitive sections Olhos Livres and Aurora, which are part of the 29th edition of the event.<\/p>\n\n\n\n<p>The screenings begin on January 23rd and run until January 31st in the historic Minas Gerais city of Tiradentes, with free admission.<\/p>\n\n\n\n<p>In total, 13 feature films in world premiere make up the two sections, evaluated by the Official Jury and the Youth Jury, in dialogue with the theme of this edition, Imaginative Sovereignty.<\/p>\n\n\n\n<p>For the general coordinator of the Festival, Raquel Hallack, the event maintains a strategic role in the sector. &#8220;The festival opens the Brazilian audiovisual calendar and functions as a barometer for the productions that will gain prominence throughout the year,&#8221; she stated.<\/p>\n\n\n\n<p>[Image caption: Film: Ao Sabor das Cinzas; credit: Bruno Cesar] According to Raquel Hallack, the edition brings together 140 Brazilian films in national premieres, reflecting the aesthetic, narrative, and regional diversity of contemporary cinema.<\/p>\n\n\n\n<p>\u201cIt\u2019s a fertile territory that anticipates trends, launches new names, and strengthens Brazilian audiovisual production,\u201d she added.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Free Eyes Showcase<\/h4>\n\n\n\n<p>Aimed at filmmakers with established careers, the Free Eyes showcase brings together works that invest in formal freedom and aesthetic risk.<\/p>\n\n\n\n<p>In 2026, the selection includes: My Camera Uncle, by Bernard Lessa (ES); Tannh\u00e4user, by Vin\u00edcius Romero (SP); Amnesty 79, by Anita Leandro (RJ); The Forests of the Night, by Priscyla Bettim and Renato Coelho (SP); The Enigma of S., by Gustavo de Mattos Jahn (RJ); To the Taste of Ashes, by Taciano Val\u00e9rio (PE); and Difficult Lover, by Jo\u00e3o Pedro Faro (RJ).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Aurora Film Festival<\/h4>\n\n\n\n<p>Dedicated to debut feature films, Aurora continues as a space for discovery.<\/p>\n\n\n\n<p>The program features Vulgo Jenny, by Viviane Goulart (GO); Sabes de Mim, Agora Esque\u00e7a, by Denise Vieira (DF); Politiktok, by \u00c1lvaro Andrade (BA); A Voz da Virgem, by Pedro Almeida (RJ); Para os Guardados, by Desali and Rafael Rocha (MG); and Obeso M\u00f3rbido, by Diego Bauer (AM).<\/p>\n\n\n\n<p>According to the organizers, many of the films were made with their own resources or low-budget grants, highlighting the strength of independent cinema.<\/p>\n\n\n\n<p>One of the most anticipated spaces of the Festival, the Cine-Pra\u00e7a transforms Largo das Forras into an open-air cinema, with screenings followed by discussions. This year&#8217;s program includes the films: Dear World (Miguel Falabella), The Last Episode (Maur\u00edlio Martins), Little Creatures (Anne Pinheiro Guimar\u00e3es), Narcisa&#8217;s Legacy (Clarissa Appelt and Daniel Dias), In Dolores (Marcelo Gomes and Maria Clara Escobar), and Slopes of Memory \u2013 Landscapes of Clube da Esquina (Raabe Andrade and Daniel Caetano), in addition to short film screenings from Monday to Wednesday.<\/p>\n\n\n\n<p>Besides the screenings, the festival maintains a strong investment in educational activities, with 16 free events including workshops, seminars, and masterclasses. &#8220;Since the first edition, education has been an essential part of our identity,&#8221; highlighted Hallack.<\/p>\n\n\n\n<p>The complete program is available on the event&#8217;s <a href=\"https:\/\/mostratiradentes.com.br\/\" target=\"_blank\" rel=\"noopener\">official website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Evento \u00e9 considerado a abertura do calend\u00e1rio anual dos festivais de cinema no pa\u00eds<\/p>\n","protected":false},"author":87,"featured_media":131478,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[7006,7006],"tags":[6551,6553,7267,7267,8263,8263,8254,8254,6554,6556,6557,6559],"area":[6465,6465],"coluna":[],"decada":[],"edicao":[13881],"localidade":[],"marcador_especial":[],"projeto":[],"tema":[192],"coauthors":[13207],"class_list":{"0":"post-115509","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-new","9":"tag-cinema","10":"tag-cinema-brasileiro","11":"tag-cultura","13":"tag-destaque-secundario-direita","15":"tag-edicao-221","17":"tag-estreias","18":"tag-festivais","19":"tag-festival-de-tiradentes","20":"tag-tiradentes","21":"area-revista-focus","23":"edicao-edicao-221-revista-focus","24":"tema-culture"},"ai_analise_foto_capa":"*T\u00edtulo*: Mulheres Contemplativas em Cen\u00e1rio Exterior com Kiosque\n*Resumo Sem\u00e2ntico*: A imagem retrata duas mulheres, uma jovem e uma mais velha, em um cen\u00e1rio semi-\u00e1rido ou rural, com um kiosk de cor azul claro ao fundo. Ambas exibem express\u00f5es s\u00e9rias e contemplativas, a mais jovem olhando para cima com \u00f3culos de sol redondos e a mais velha com uma postura firme, as m\u00e3os na cintura, olhando ligeiramente para baixo. A atmosfera \u00e9 de seriedade e reflex\u00e3o, possivelmente indicando um momento de espera, preocupa\u00e7\u00e3o ou discuss\u00e3o profunda. O sentimento evocado \u00e9 de resili\u00eancia e a complexidade da vida cotidiana. O p\u00fablico-alvo prov\u00e1vel s\u00e3o indiv\u00edduos interessados em quest\u00f5es sociais, direitos humanos, retrato feminino, e a realidade de comunidades fora dos grandes centros urbanos, alinhando-se com o foco da Funda\u00e7\u00e3o Perseu Abramo em an\u00e1lises sociais e pol\u00edticas.\n*Descri\u00e7\u00e3o SEO*: Duas mulheres com express\u00f5es s\u00e9rias e pensativas em um cen\u00e1rio exterior, destacando a presen\u00e7a de um kiosk azul claro e elementos rurais. Imagem ideal para artigos e publica\u00e7\u00f5es sobre resili\u00eancia feminina, desafios sociais, vida em comunidades, e reflex\u00f5es sobre o Brasil contempor\u00e2neo. Otimizada para buscas relacionadas a cultura brasileira, retrato de gera\u00e7\u00f5es e engajamento social pela Funda\u00e7\u00e3o Perseu Abramo.\n*Texto na Imagem*: K\u00ed-Deus\n*Elementos Visuais*:\n*   **Cores Predominantes**: Azul claro (kiosk), Marrom (terra, cabelos, bolsa), Rosa (blusa da mulher mais jovem), Preto (roupa da mulher mais velha), tons de pele.\n*   **Pessoas**: Duas mulheres (uma jovem de cabelo curto, \u00f3culos e blusa rosa; uma mais velha de cabelo m\u00e9dio e blusa preta).\n*   **Objetos**: Kiosk\/food truck azul, \u00f3culos de sol redondos, bolsa transversal de couro, parte de um ve\u00edculo vermelho no canto inferior esquerdo.\n*   **S\u00edmbolos**: N\/A (n\u00e3o h\u00e1 s\u00edmbolos gr\u00e1ficos expl\u00edcitos, mas as express\u00f5es e posturas podem simbolizar resili\u00eancia e introspec\u00e7\u00e3o).\n*Keywords*: mulheres, retrato, express\u00f5es, seriedade, cen\u00e1rio rural, kiosk, gera\u00e7\u00f5es, resili\u00eancia, cultura brasileira, cotidiano, brasil, desafios sociais, vida comunit\u00e1ria, empoderamento feminino, reflex\u00e3o\n*Hashtags*: #MulheresBrasileiras, #ResilienciaFeminina, #VidaNoCampo, #FundacaoPerseuAbramo, #DesafiosSociais, #CulturaBrasileira, #RetratoFeminino, #Inspiracao, #ReflexaoSocial, #Comunidade","ai_analise_outros_anexos":"","_links":{"self":[{"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/posts\/115509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/users\/87"}],"replies":[{"embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/comments?post=115509"}],"version-history":[{"count":0,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/posts\/115509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/media\/131478"}],"wp:attachment":[{"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/media?parent=115509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/categories?post=115509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/tags?post=115509"},{"taxonomy":"area","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/area?post=115509"},{"taxonomy":"coluna","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/coluna?post=115509"},{"taxonomy":"decada","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/decada?post=115509"},{"taxonomy":"edicao","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/edicao?post=115509"},{"taxonomy":"localidade","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/localidade?post=115509"},{"taxonomy":"marcador_especial","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/marcador_especial?post=115509"},{"taxonomy":"projeto","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/projeto?post=115509"},{"taxonomy":"tema","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/tema?post=115509"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fpabramo.org.br\/en\/wp-json\/wp\/v2\/coauthors?post=115509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}